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Westmont Hosts Lit Moon Mini Festival

Lopakhin (Mitchell Thomas) and Lyubov Andreevna (Victoria Finlayson) in "The Cherry Orchard" (photo by David Bazemore)
Lopakhin (Mitchell Thomas) and Lyubov Andreevna (Victoria Finlayson) in "The Cherry Orchard" (photos by David Bazemore)

The theater season begins in dramatic style Sept. 3-6 when Westmont hosts a mini festival featuring several Westmont professors and alumni performing work developed by Lit Moon Theatre Company artists in a variety of indoor locations around campus.

The festival opens with “The Lover,” written by Harold Pinter and directed by Lauren Hall ’14, on Thursday, Sept. 3, at 7 p.m. and Sept. 5-6 at 4 p.m., in the Black Box Theater at Westmont.

“Poor, Poor Lear,” written by Katya Krohn and Nina Sallinen, will be Sept. 3 at 8 p.m. and Sept. 5-6 at 2 p.m. Audience members are asked to meet at Porter Theatre where they will be escorted to the performing space.

“The Cherry Orchard,” written by Anton Chekhov and directed by John Blondell, returns to Westmont after first being performed in 2014. Performances are Saturday and Sunday, Sept. 5-6, at 7 p.m. in Porter Theatre.Lit-Moon-Cherry-Orchard-4-credit-David-Bazemore

Individual tickets, which may be purchased at www.westmont.edu/boxoffice, cost $17 for general admission and $14 for students and seniors. To purchase an all-three-shows pass for a discounted price ($45 general admission/$36 for students and seniors), please call (805) 565-7040.

“What a thrilling way to inaugurate a new season of theater at Westmont,” Blondell says.

In “The Lover,” Sarah (Paige Tautz ’14) and Richard are married, completely in love and unfaithful to each other “two or three times a week with great regularity.” Harold Pinter’s witty one act dances with the ideas of love, commitment, fantasy and control with both delicacy and irreverence.Lit-Moon-Cherry Orchard-1-credit-David-Bazemore

In the strikingly original dark comedy, “Poor, Poor Lear,” Finnish actress Nina Sallinen portrays a 90-year-old theatrical grande dame who brazenly chooses King Lear for her farewell performance. The aging actress unintentionally highlights her own life story while gradually becoming cognizant of the parallels between her life and Lear’s.

In “The Cherry Orchard,” Lyubov Andreevna returns from Paris to find that the family estate is in arrears and must be sold. This was Chekhov’s last play and is a modern masterpiece.